Gone Girl portrays marriage not just as warfare by other means but as many different kinds of battle — class conflict, sexual gamesmanship, wrangling over money, fighting over the future — with plenty of blood spilled. That’s part of what makes it as damned good as it is; Gone Girl is that rare entertainment that rewards your intelligence instead of insulting it, that rare thriller interested in emotional wounds as much as physical ones.

Read the first batch of reviews for David Fincher’s Gone Girl, and preview the score, see new images, TV spots, posters, and more.

Tilda Swinton photographed by Juergen Teller for Hobo Magazine Spring/Summer 2014.

We’re not bad people. We just come from a bad place.